landro said:
Even if they decided to enter the world market with a high end instrument, I`d have to ask if they could ever hope to carve out a profitable segment of what is presently an Italian dominated market or would they want to try knowing the international market is constantly shrinking .
Arguably mass-produced factory instruments of
any manufacturer these days are lukewarm: actual manufacture in the old days involved creating a uniform character from imperfect raw materials. The workers competed on skill, so mass production tended to become better over time and instruments were
created rather than
assembled from parts. Its sobering to realize that Alfred Arnold bandonions,
the mystical Tango instruments, were cheap and cheesy mass produced accordion substitutes in their home country of Germany.
If you buy 10 Hohner Morino V from 1968, they will all have their own distinct sound and character. If you buy 10 Hohner Morino V from 2008, they might have small differences, but not consistent enough to actually establish different
characters. And working from more precisely milled raw parts means less and less manual intervention for carving out a homgenous instrument.
So one can probably do worse than visit Castelfidardo where every second family builds its own accordions and old men carry stacks of bellows they did in their free time across the street, forget about the brands and try out accordions until one finds one to love. At least if one believes the stories.
Other than that, it makes more sense to buy an instrument one could play and compare, even if that means driving a large distance to someone stocking different instruments and paying a larger price than with mail order.