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Challenge: songwriting

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dan

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Tom has requested a songwriting challenge. I know we have some folks here who are already comfortable with composing, or arranging, or improvizing, or songwriting, but many have never given it a try. Don't be shy!

The goal here is not to post something worthy of admiration, it's to post something original. The more comfortable you can get coming up with and trying out bad ideas, the sooner you'll stumble across a good one.

I've performed and recorded songs I've written, none with any commercial success, but I enjoy it and can say it gets easier with practice. It helps to have people to bounce ideas off of and to get the ideas flowing with a "what if you tried this?..."

Your challenge is to write a 16 bar ditty about the accordion in C major which includes a F minor chord in the progression. The melody does not have to have words, and can be played on your right hand if you're not able to sing and play at the same time. However, it should be possible to sing "accordion, accordion" to it if you later brought in a choir to back you up!

1. Start with some rhythm. Say the word "accordion." In 4/4 time I think it sounds most natural with the "a" as an upbeat and "cord" on the downbeat as a dotted quarter or dotted eight. It could fall on the end of a phrase like:
"praise the lord and say amen,
he brought us the accordion."
Or it could fall on the beginning of the phrase.
"The accordion is real good friend of mine,
With an accordion you have a real good time."
We're not aiming for excellence here, just something passable!

2. With that rhythm in mind, work out a sequence of chords on the left hand. Since some of you are new to this, let's keep it in C major. Can't go wrong by picking chords built off the degrees of the c major scale. C, G or G7, F, Dm, and Am would be good candidates. But one added requirement! For a little drama, let's have that F major go to a F minor.

3. Once you're happy with the chord progression and have it written down, noodle around on right hand to find a suitable melody. If you need, to record yourself playing left hand and play it back while you noodle.

4. Put it all together!

I expect that within these constraints we'll get a lot of different ideas!
 
Wow, great challenge Dan, I love it!!!

The only suggestion I have is that we have a time limit. Maybe by the end of April? What do you think? People could of course add on after that but it's good to have a goal.....
 
I've performed and recorded songs I've written, none with any commercial success, but I enjoy it
And so you should - your demo video moved me greatly.

I can't quite follow the multitude of prescriptions in your brief but I did manage the word accordion, F minor and 16 bars of ditty.

The resulting 'Lamb Tin' is a reel inspired by the well known Celtic tale of the miner who led the sheep farmers of Anglesey on the great pilgrimage of 'metal and wool' against the notorious taxes brought in by Elizabeth the First. Although the brave rebels were unsuccessful in overturning the law, their leader Lamb-Tin is still commemorated in many Welsh villages for his bravery and proud parents even today name their sons after this great hero. Each year there is a Celtic festival of music and dance held at his birth place (the hilltop village of Llanfair tryfan) where reels are danced in typical costumes of the day and the local leek ale flows freely.
 
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A lot of my songwriting is done away from an instrument, trying out rhyming couplets and humming bits of melody while I'm driving or doing chores.

Sometimes I'll start with a few key phrases and see what I can to line up with it. If my target phrase is "...play the accordion"
We could rhyme
"...driving my Delorean"
"...we all got bored, and then..."
"...that I can't afford again"
"... now I'm born again"
"...scales in Dorian"
"...when I meet my Lord again"
Rhyming that middle syllable is optional. Rhyme is not as important as rhythmic delivery and keeping with the topic/feeling
"...do you remember when"
"...won't you be my friend"
"...begin again"
"...slept in til 10AM"

Feel free to use any of these for this challenge!

Sometimes I'll start with a topic I want to talk about. I don't like all the comic strips making fun of the accordion: Garfield this week, Blondie last week, even Pearls Before Swine, and Zits. There's a few different ways we could take that topic...
It could be a blues song. All those accordion jokes got me down...
Heavy metal. Garfield must die!
Irish punk. Defiant pride in unconventional instrumentation!
But since I've committed to that minor iv chord, I think it's got to be a bittersweet pop ballad, of the sort you might hear from the Beatles, Oasis, or Billie Joel.
 
At first, you'll need to suspend your judgement long enough to get something written down or recorded.
But with practice, the feedback loop ("What about this?" "No." "What about this?" "No". "What about this?" "Maybe". "Okay, then what about this?" "That's not bad!" ) gets much faster, and then you want to be careful not to get too attached to your first decent idea. You may be able to come up with a better one!

Here is my second attempt.

VERSE
C G F C
My instrument is in the funnies, they’re making sport again
C G F C
When Garfield’s John Arbuckle busts out his accordion.

PRECHORUS
F Fm C C
His orange cat just plugs his ears, and his girlfriend disappears
F Fm C C
Hey don’t you know the Lawrence Welk show hasn’t aired in 40 years

CHORUS
Am Am D7 (bass run)
So why are we still the butt of the joke?
Am Am D7 (bass run)
I keep on waiting for Jim Davis to croak!
C G F Fm
I’ve got a box to squeeze so please why don't you pick on the
C
viola…

 
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Great!!! Good ideas. But people here still watch Lawrence every Sunday afternoon, don'tcha know....
 
Hey @dan, great work. Keep writing songs. Keep singing them. Start a band. We need more new music. The world's already full of people playing the same old stuff. Go for it - and be different.
Good point, advice. I would like to spend more time on this aspect of musicality. So many approaches, so little time. I've got one original tune that I play at most events. This is an opportunity to practice this skill. See what I can come up with by May 1. I can guarantee you won't want me to post singing, but hopefully I can come up with a C tune with Fm.
 
See what I can come up with by May 1. I can guarantee you won't want me to post singing, but hopefully I can come up with a C tune with Fm.
Hey, I have been eagerly waiting to hear the fruits of the songwriting challenge. I can't wait any longer, the anticipation is too much... You did mean May 2023, right?😁
 
Hey, I have been eagerly waiting to hear the fruits of the songwriting challenge. I can't wait any longer, the anticipation is too much... You did mean May 2023, right?😁
Life got in the way, I failed miserably. πŸ˜’πŸ˜’. My excuse is that I signed up for an online accordion course which is taking all my spare accordion playing time. It's been a great learning experience, but trying to keep up made writing a new song unreasonable. Maybe 2024!
 
Life got in the way, I failed miserably. πŸ˜’πŸ˜’. My excuse is that I signed up for an online accordion course which is taking all my spare accordion playing time. It's been a great learning experience, but trying to keep up made writing a new song unreasonable. Maybe 2024!
You must do what you enjoy Tom, but maybe it's something you'll come back to before 2024. I surely believe there is something to be gained through writing a wee tune occasionally. But hey that's just me, I care less for developing my playing technique and far more for indulging the creative side and engaging my imagination, hopefully with gradually improved results along the way. As Shostakovich once said, "a creative artist works on his next composition because he was not satisfied with his previous one". Very true, even for mere accordion composers.
 
You must do what you enjoy Tom, but maybe it's something you'll come back to before 2024. I surely believe there is something to be gained through writing a wee tune occasionally. But hey that's just me, I care less for developing my playing technique and far more for indulging the creative side and engaging my imagination, hopefully with gradually improved results along the way. As Shostakovich once said, "a creative artist works on his next composition because he was not satisfied with his previous one". Very true, even for mere accordion composers.
Yeah, you're right about that, Stewart. I get so wrapped up in making sure I have a good repertoire that I don't take the time for the creativity of developing new tunes. Although I love so much to play the one tune I wrote, and play it every event. So yeah, what if I had an hour of them? Maybe I won't play the farmers markets so much this summer. Maybe only one or two. Really, it's not that much fun. Shhhh, don't tell anyone I said that......
 
Yeah, Maybe I won't play the farmers markets so much this summer. Maybe only one or two. Really, it's not that much fun. Shhhh, don't tell anyone I said that......
If the fun is limited then limit your time doing it..
I packed up loads of gigs and turn them down now if I think I'm onto a hiding to nothing....rather sit in my garden and annoy the neighbours with my nonsensical musical ramblings.....you can be plenty creative within the framework of your repertoire if you just give them time to breathe and develop...
That said there's nothing like a dodgy gig to pressure test material and that in itself can seriously increase the learning to practice ratio...
Good luck...
Ps I rarely write anything...as Zappa said..all the good stuffs already been written...πŸ˜‰
 
Thanks Terry, I appreciate the thoughts... We'll see. I'll probably end up doing 5 or so events this summer. I'm trying to transition from "Polka King" to "Jazz and More" with a more "refined" venue... So I need plenty of garden workout myself. And new branding. Website, my old band name (a variation since my old band still gigs with my old name), youtube, etc. Keeps me young 🀣🀣
 
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