D
Davey Eddy
Guest
Hi all,
As I sit here at the table, stripping reeds and valves, cleaning the blocks etc I've come to wonder?
Now this old girl is approaching a 100 year old, the reeds nailed and waxed are something of a joy to see - now at this stage of the proceedings I am considering giving the reed blocks a proofing of linseed oil, propolis and beeswax. I see this being done on many quality accordions of the 60's and sometimes varnish or shellac being used. I'd rather something to feed the wood and effectively proof it from the deleterious effects of humidity but nothing that would stifle the tone. Thoughts anyone?
I note that the valves are all set with shellac, it certainly works extremely well by the looks of it?
Now I will be using my own beeswax, with propolis and linseed oil added - I always remember being told by an old guy who repaired accordions etc that beeswax was far too refined these days.
This appears to bear true - the molecular structure of wax can change dramatically by overheating of course but there are many other influencing factors to consider. Propolis is a fantastic substance which has certain definite benefits in its use in accordions - conversely the same benefits for its utilisation in hives. I render the wax in all my hives by the most gentle means possible, ensure a clean product by passive filtration and then add a good heap of propolis which is clean harvested from the same hives to the mix. Italian wax is no longer considered any better than German - both now, by mechanical and chemical means been rendered less than perfect. Anyhow, I digress - what is the opinion and consensus regarding the use of shellac or beeswax/linseed to paint the reed blocks?
Many thanks,
Davey
As I sit here at the table, stripping reeds and valves, cleaning the blocks etc I've come to wonder?
Now this old girl is approaching a 100 year old, the reeds nailed and waxed are something of a joy to see - now at this stage of the proceedings I am considering giving the reed blocks a proofing of linseed oil, propolis and beeswax. I see this being done on many quality accordions of the 60's and sometimes varnish or shellac being used. I'd rather something to feed the wood and effectively proof it from the deleterious effects of humidity but nothing that would stifle the tone. Thoughts anyone?
I note that the valves are all set with shellac, it certainly works extremely well by the looks of it?
Now I will be using my own beeswax, with propolis and linseed oil added - I always remember being told by an old guy who repaired accordions etc that beeswax was far too refined these days.
This appears to bear true - the molecular structure of wax can change dramatically by overheating of course but there are many other influencing factors to consider. Propolis is a fantastic substance which has certain definite benefits in its use in accordions - conversely the same benefits for its utilisation in hives. I render the wax in all my hives by the most gentle means possible, ensure a clean product by passive filtration and then add a good heap of propolis which is clean harvested from the same hives to the mix. Italian wax is no longer considered any better than German - both now, by mechanical and chemical means been rendered less than perfect. Anyhow, I digress - what is the opinion and consensus regarding the use of shellac or beeswax/linseed to paint the reed blocks?
Many thanks,
Davey