M
maugein96
Guest
The French musette style captivates a lot of accordionists who wish to incorporate it into their repertoires. If they have an accordion with three MMM reeds and musette tuning, it will probably sound French enough, and the audience will be none the wiser.
However, the majority of French accordionists never played accordions with three MMM reeds at all, so what did they actually sound like?
Here are two tracks by Joss Baselli, both on Cavagnolo accordions, with no trace of any musette tuning at all. And remember this was in the days before Galliano became famous with new musette. These sort of tunings were generally preferred by accordionists who could play a bit, and never wanted to be tied down to that big loud musette sound.
A lot of people never quite took to those sounds, including me, until I became accustomed to it after years of listening to this kind of musette tuning:-
This old style musette tuning has now all but disappeared, as it was shattering all the cheap modern wine glasses in the cafes. A version of it still exists, but has been tamed down quite a bit. In its day it was the French accordion tuning, but only Maugein and Crosio could make boxes that sounded like that. Would you really want to play every tune with that sound?
Anybody elses version was fake, and recognised as such. Hundreds of box players would announce they were about to play French musette. The music was French, but the sound wasnt.
In these modern times you can hear various French accordions being played on different media, and be able to judge which sound you prefer. Remember in the 50s and 60s, and in the days before the internet, that wasnt possible and Scottish players thought their musette accordions sounded the same as French ones. For a start a Scottish box was tuned to 440Hz and a French one was 442Hz. Various recordings were made between joint Scottish/French accordionists, in an effort to demonstrate how similar the music sounded. If you ever find such a clip, please ensure your volume control is at 1 or less, as 4 detuned flute reeds all playing at once with different tunings will have the effect of making you want to jump through the nearest window. Even the two straight tuned reeds on the boxes concerned will be at least 2Hz out.
I used to think that Hertz was a car rental firm until I discovered accordion tuning. For the record both of my French boxes are tuned Swiss at 441Hz. That means I can play along with guys in Montreux, but not in Paris. Simple, isnt it?
However, the majority of French accordionists never played accordions with three MMM reeds at all, so what did they actually sound like?
Here are two tracks by Joss Baselli, both on Cavagnolo accordions, with no trace of any musette tuning at all. And remember this was in the days before Galliano became famous with new musette. These sort of tunings were generally preferred by accordionists who could play a bit, and never wanted to be tied down to that big loud musette sound.
A lot of people never quite took to those sounds, including me, until I became accustomed to it after years of listening to this kind of musette tuning:-
This old style musette tuning has now all but disappeared, as it was shattering all the cheap modern wine glasses in the cafes. A version of it still exists, but has been tamed down quite a bit. In its day it was the French accordion tuning, but only Maugein and Crosio could make boxes that sounded like that. Would you really want to play every tune with that sound?
Anybody elses version was fake, and recognised as such. Hundreds of box players would announce they were about to play French musette. The music was French, but the sound wasnt.
In these modern times you can hear various French accordions being played on different media, and be able to judge which sound you prefer. Remember in the 50s and 60s, and in the days before the internet, that wasnt possible and Scottish players thought their musette accordions sounded the same as French ones. For a start a Scottish box was tuned to 440Hz and a French one was 442Hz. Various recordings were made between joint Scottish/French accordionists, in an effort to demonstrate how similar the music sounded. If you ever find such a clip, please ensure your volume control is at 1 or less, as 4 detuned flute reeds all playing at once with different tunings will have the effect of making you want to jump through the nearest window. Even the two straight tuned reeds on the boxes concerned will be at least 2Hz out.
I used to think that Hertz was a car rental firm until I discovered accordion tuning. For the record both of my French boxes are tuned Swiss at 441Hz. That means I can play along with guys in Montreux, but not in Paris. Simple, isnt it?