• If you haven't done so already, please add a location to your profile. This helps when people are trying to assist you, suggest resources, etc. Thanks
  • We're having a little contest, running until 15th May. Please feel free to enter - see the thread in the "I Did That" section of the forum. Don't be shy, have a go!

Non-converter free bass, and compact with cassotto?

Yinks, that's a wild statement about an instrument I play professionally (organ) and I'm struggling in all charity to think of any part of it that might be true.

Most organs in the world are in churches, not primarily as a solo instrument, but rather to accompany, chant, choral music and congregational singing.
It is the only non-vocal instrument in those contexts.
My greatest experience of the modern accordion is as a chamber instrument, and its taught as such in a number of conservatoires, working especially well with strings. Maybe its role is more compartmentalised in Germany, I hope not though!
It is very much compartmentalised here. You get solo performances, you get accordion orchestras, you get some folkish music usage ("Oberkrainer" which would, if anything, be Slovenian, Alpine stuff that leans a bit more towards Styrian Harmonica, and Shanty-like music). Switzerland has more of an unprejudiced connection to accordions (with a focus on their own diatonic Schwyzerörgeli with unisonoric bass for traditional music and flat-buttoned C system for general-purpose).

Street musicians playing it more often than not are of Eastern European origin. You are more likely to see a flute or violin player with orchestral playback from a recording here than a solo accordionist.
 
You poor thing - my Europhile brain assumes everything is better there but clearly not. Come and visit the UK -p we are obviously good at some things! :)
Oh, I actually believe pretty much anywhere in Europe the accordion has a better reputation than in Germany. Maybe backlash from all the promotional work Hohner engaged in in the first half of the 20th century. The people it was designed to impact are leaving the planet, and this kind of designed rather than living tradition did not really move forward with the times.
 
I actually believe pretty much anywhere in Europe the accordion has a better reputation than in Germany. Maybe backlash from all the promotional work Hohner engaged in in the first half of the 20th century. The people it was designed to impact are leaving the planet, and this kind of designed rather than living tradition did not really move forward with the times.
This is my top comment of the week - really interesting and beautifully expressed!
 
Back
Top