M
maugein96
Guest
Thought Id post a link which shows Bonifassis workshop in Nice, France. The shop is known as Accordeons Sud Est, and they probably have just about the biggest selection of used accordions in France. Ive never been there but hope to make a pilgrimage some day, and anybody who is in the area would probably find something of interest in the store. The only thing I would say is they are not the cheapest in France by quite a long way. They import their own brand of instruments from Castelfidardo in Italy, but I dont know who the actual maker is.
Anybody who is into performing surgical operations on their accordion might find something of interest, and I would have to admit a lot of the content is way over my head. Unfortunately youd probably need a fair bit of French under your belt to be able to work out every detail. I love the music, but the only French I know was what I learned at school when they werent bashing us over the head with Latin books.
FWIW the usual tuning found in France these days, where LMM boxes are just about standard fare, is the red and yellow accordion, which youll hear Mr Bonifassi refer to as americain. Musette in two and three voice form is still preferred by many players, but if you were to walk in and buy a new model off the shelf it will probably have americain tuning, which my ears have gotten accustomed to over the years. As the musette repertoire started to be influenced by Latin, jazz, swing, and even pop, most players decided that musette tuning was too coarse and demanded something a bit more refined. Those players who like to mix it between styles will usually take the stage with two instruments, one of which will be a MMM musette pur. 4 and 5 voice treble instruments do exist in relatively small numbers, and tend to be the choice of players who incorporate classical music into their repertoire.
The accordion in France is usually played standing and three voice instruments are generally regarded as being heavy enough for the purpose.
Anybody who is into performing surgical operations on their accordion might find something of interest, and I would have to admit a lot of the content is way over my head. Unfortunately youd probably need a fair bit of French under your belt to be able to work out every detail. I love the music, but the only French I know was what I learned at school when they werent bashing us over the head with Latin books.
FWIW the usual tuning found in France these days, where LMM boxes are just about standard fare, is the red and yellow accordion, which youll hear Mr Bonifassi refer to as americain. Musette in two and three voice form is still preferred by many players, but if you were to walk in and buy a new model off the shelf it will probably have americain tuning, which my ears have gotten accustomed to over the years. As the musette repertoire started to be influenced by Latin, jazz, swing, and even pop, most players decided that musette tuning was too coarse and demanded something a bit more refined. Those players who like to mix it between styles will usually take the stage with two instruments, one of which will be a MMM musette pur. 4 and 5 voice treble instruments do exist in relatively small numbers, and tend to be the choice of players who incorporate classical music into their repertoire.
The accordion in France is usually played standing and three voice instruments are generally regarded as being heavy enough for the purpose.