accordion123 said:
Real pros and recreational players enjoy music totally because chord skills are similar to being able to read to exist in society.
Hello Garry, welcome to the forum.
Nice to have more and more professionals taking part.
May I be so bold as to ask what you mean by the quoted sentence above?
It all sounds very hand waving and as I am a professional sceptic it appears that you are conflating existence in society with being able to play harmonically pleasing chords on an accordion.
I mentioned earlier in the thread that your book looks technical.
Not that I dont like technical, in fact I love technical. I guess a physics PhD and a lifetime working in technical jobs has pre-disposed me towards technical.
That is why I have a pile of such books (for piano jazz voicing mostly) tall enough to serve as an armchair in my music cupboard.
Where I always fall down is applying theory to live performance.
Theory for me is an off-line process. Something to be done with an accordion on your lap and a pencil behind your ear.
Even then, for me at least I find that after a few attempts its easier to use your innate musical knowledge to draft an arrangement rather than ponder all the theoretical options.
Maybe its just me and I need a copy of your book
By the way, I had a look at some of your sample arrangements and they do look rather good.