Siegmund
Well-known member
...which I'd be interested to know if anyone else suffers from, and if you've had any clever ideas how to break it:
When I play a wrong note, I try to make myself stop and figure out how to fix it (no, that's not the bad part.) It's sometimes hard to hear which hand got out of position by one button. Or which finger of one hand.
To try to fix it, I play it louder. And louder. And louder. And louder. And all I get is a louder set of notes, one of which is wrong, and I still can't tell which one. Finding out which finger is at fault requires lifting them up one at a time until the offender is located.
I think I know where I got this habit. In a multi-instrument ensemble, if you don't blend into a chord, changing the volume of your own note is one way to hear whether its you or the other guy who is out of tune. I did this a lot, playing violin in quartets and orchestra sections. It worked fairly well there. It is of course useless on accordion where all the notes get louder and softer together.
It is separate from another bad habit -- pushing harder on the keys when it's a difficult passage, keeping too much tension in your right hand -- but I imagine a cure for one might help the other. (Not being a pianist, I am mercifully free from "push down harder when it's loud" - on a violin one hand controls pitch and the other volume - but I am not immune from teeling stressed while working a passage that isn't quite known by heart yet.)
When I play a wrong note, I try to make myself stop and figure out how to fix it (no, that's not the bad part.) It's sometimes hard to hear which hand got out of position by one button. Or which finger of one hand.
To try to fix it, I play it louder. And louder. And louder. And louder. And all I get is a louder set of notes, one of which is wrong, and I still can't tell which one. Finding out which finger is at fault requires lifting them up one at a time until the offender is located.
I think I know where I got this habit. In a multi-instrument ensemble, if you don't blend into a chord, changing the volume of your own note is one way to hear whether its you or the other guy who is out of tune. I did this a lot, playing violin in quartets and orchestra sections. It worked fairly well there. It is of course useless on accordion where all the notes get louder and softer together.
It is separate from another bad habit -- pushing harder on the keys when it's a difficult passage, keeping too much tension in your right hand -- but I imagine a cure for one might help the other. (Not being a pianist, I am mercifully free from "push down harder when it's loud" - on a violin one hand controls pitch and the other volume - but I am not immune from teeling stressed while working a passage that isn't quite known by heart yet.)