donn
Prolific poster
Not to put too fine a point on it, but ... while eating breakfast an easier and better test occurred to me: after removing a plate and attending to whatever maintenance is needed, blow through it while holding it in your fingers. It isn't mounted on anything, held only by soft fingertips and your lips and whatever else it takes to make a seal. Will it sound muted, compared to the reeds mounted firmly on the accordion reed bank block?
I don't know for sure, and in my experience, blowing in reeds is a little hit or miss anyway because they respond to an optimal angle of air stream, but at least this illustrates the principles involved. "The reed will try to unload its energy to its surroundings", yes, but here the reed isn't an energetic sound generator on its own like, say, an African thumb piano reed. The energy source is ultimately the air stream, and as soon as that ends, the sound stops. The air acts on the assembled reed and reed plate, and we only need to make sure those two are firmly attached. That's neither a physics analysis nor does it have any empirical basis, it's just an appeal to intuition, but it's an alternative to the above discussion of ways to prevent the reed from dispersing energy, which is likewise an appeal to intuition.
In short, I'm (only) guessing that what matters is that it's sealed. It's an unusual type of fastener in general, but wax makes a good seal. If nailed down firmly into a leather backing, that should also be also a reasonably good seal. The acoustic properties are irrelevant.
I don't know for sure, and in my experience, blowing in reeds is a little hit or miss anyway because they respond to an optimal angle of air stream, but at least this illustrates the principles involved. "The reed will try to unload its energy to its surroundings", yes, but here the reed isn't an energetic sound generator on its own like, say, an African thumb piano reed. The energy source is ultimately the air stream, and as soon as that ends, the sound stops. The air acts on the assembled reed and reed plate, and we only need to make sure those two are firmly attached. That's neither a physics analysis nor does it have any empirical basis, it's just an appeal to intuition, but it's an alternative to the above discussion of ways to prevent the reed from dispersing energy, which is likewise an appeal to intuition.
In short, I'm (only) guessing that what matters is that it's sealed. It's an unusual type of fastener in general, but wax makes a good seal. If nailed down firmly into a leather backing, that should also be also a reasonably good seal. The acoustic properties are irrelevant.