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Factors affecting the value of an accordion

Caps

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I copied this from an older prior post that I found in some old files on my PC. I think its from about 15 years ago or so.
It was posted then as the user group I belonged to was getting tons of inquiries of "What is this accordion worth"?

It is still good info and explains why it is so difficult
to give a value on an accordion that you can't see - both inside and
outside. If you really want to find the true value, you will have to take
it to an actual accordion repair person - a professional who knows the
time, cost and extent of restoration required. Also, you should expect to pay
an evaluation/estimate fee for this service. There may be more pieces in a full size
accordion than in a grand piano and all of them affect its value.
It takes time to disassemble and evaluate the instrument and no one
(or hardly anyone) ever works for free anymore. Also the person doing
the evaluation takes a chance on damaging something when he opens the
box - the gaskets come apart, glue comes apart, pieces fall out and
the customer doesn't believe that the damage was already there or
incidental to opening it up.
............................................................................
Some things that would be considered in order to value it:
- The actual manufacturer
- Kind of accordion - Piano, Chromatic, 1 row, 2 row, 3 Row, Cajun,
Bayan, Bass, Anglo, Concertina, etc.
- Number of Keys Bass and Treble
- Size of treble keyboard 17 1/2 inch, 19 inch etc.
- Tuning - musette, dry, in tune or not. Accordions may sound up to 8 reeds for each note and all must be in tune
- State of the leather valves - flexible and soft, hard, curled, etc.
- Wax condition - Reeds are usually held in place by a mixture of Bee's
wax and rosen - accordions stored in either cold or hot temperatures
or in very dry areas usually have wax that has crystallized, melted,
or dried up and will need to be replaced (not cheap)
- Condition of surfaces, warping, cracking, rot, etc.
- Type of reeds (hand made, hand finished, factory) and condition (no
rust or corrosion)
- Condition of the felts under the keys
- Number of reed banks - treble and bass
- Shifts/registers on each side
- Bellows condition - is it lined, how many folds, condition of glue and
corner leathers, gaskets
- Any musty odors or bugs inside - Don't laugh - mealy bugs and moth
larva cause havoc in an accordion
- Condition of the bass machine - rust etc.
- Condition of straps
- Case usually really doesn't matter unless its really unusual
- Appearance - does it look good.
- Playability - ease of use, balance, key travel and pressure required, etc.

Accordions generally have little value as antiques unless there is
something special about them - like it was used by a very famous
accordionist and it is documented. Or if it is the first of its kind
or is really old or is signed by a famous maker
Part of the reason for this is the cost of restoration. If an
accordion has set for 15 or more years without being played, it almost
always needs cleaning and tuning and some restoration. For a full
size accordion this costs upwards of $400. Perhaps even more than
$2,000 for a serious and complete restoration.

So what happens is that an accordion that cost $300 new in 1940 may
require $700 in repairs in order to get it working properly and then
will have a resale value of only $400. Just not practical... Lots of
these 40's and 50's vintage boxes go on sale on ebay and end up
selling for $40 - $50. Basically they end up as parts or something to
play on outside gigs if it looks like rain....A few old accordions are very well made
with excellent reeds and potentially could be worth more that a new one
if completely restored but only your repair person knows for sure. I have seen
a few restorations in the neighborhood of $1500 that resulted in a like new
box that was better than 99% of the new accordions out there that cost three
or four times as much. The problem is to find a technician that can do that
quality of work.
....................................................................................................
Hope the above info helps. Also it explains why such a simple question
like "how much is this accordion worth?" can't be answered easily. It
is not that no one wants to help, it is that the answer is very
complicated and an answer like "Anywhere from $50 to $5000" doesn't
satisfy the question. This question comes up very often on this and
other accordion forums and unfortunately the answer is very rarely
what the person asking the question wants to hear. Also unfortunate
is that there just are not that many knowledgeable places, at least in
the US, where you can take an accordion for evaluation. The average
music store/instrument repair place usually doesn't have a clue. Sometimes if
you’re lucky, the local accordion club will have a member or two that
can help.
 
hey Cappy

how is the shoulder doing ?

that post is still good today, but the one line:
"Case usually really doesn't matter unless its really unusual"
made me laugh because a couple weeks ago, there was an unusual
Italio-American accordion on CList up in Balmor (guessing @ 1937 or so)
that is probably not repairable because of parts issues, but i called the guy
and made him an offer anyway as the last photo showed a
classic GIEB case, in really clean condition,

i have coveted one of these forever

so i basically bought the case and had to take the accordion with it
whether i wanted to or not

ciao

Ventura
 
What I had been doing was buying antique or vintage pre-war accordions, completely restoring them and busking.
The reeds were better for that purpose, since reeds nowadays are made for chamber playing, and now easily amplfied.
I had a great visual advantage with my antique-looking instrument, and could take a break to talk to fans.
When these were made microphones weren't used much.
Plus the old polkas etc were composed for old accordions.
I don't care to do restorations for customers any more because explaining the cost is a chore.
I just turned 80 and had to go on a keto diet to get my strength up and start playing again.
 
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I'd give the value of the accordion as the ability to make music on it. A valuable accordion won't make you a good musician and some of the least musical playing I have heard is from those with expensive instruments, and of course the opposite is true with some great music coming from really knackered instruments.
 
I figure the value of any accordion is what somebody is actually willing to pay for it or part with it for. Come to think of it- that applies to most materal goods...

Feel free to make the price vs value argument- but craftsmanship, et all really are no more important in assessing value than sentimental value- as long as that sentiment is in the heart of a potential buyer.

My most valuable accordion is the slightly porous God-alone-knows-how-old would-be-certified-honorably-out-of-tune by Mr. DeBras 4/3 41 120 Galanti "Super Aristocrat", zippy spring loaded retracting bellows clasps, register indicator (bassoon in out RH zip for the LH), bellows affixed on bass side (no pins), reeds all voiced to sound pretty much exactly in synch across the banks, and all which I have had since Moby Dick was a guppy.

That uses the yardstick of, "Which accordion would I part with last," as a metric. Valued more <by me> than the Morino, the Titano Cosmo, the Excelsior, et al by a wide margin.

On the other hand it's probably in the 4-500 buck class on eBay but that they're a bit scarce in even semiworking condition these days...
 
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Yeah, as the guy that parted with my beloved Lira and had to buy it back (fortunately from a talented and honest guy) I won't ever part with it again, probably worth at least $150. I won't buy any more restoration projects, (I hope) but that doesn't mean I won't be given another soon, now that people know I'm here.....
 
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