Hmmm, let's see if I can explain it.... For one thing my wife says my playing is a lot better, so what more do I need to say?SO... in the couple months that you have been trying, Tom, what are YOUR personal experiences? How have exercises in general and arpeggios in particular, helping you so far?![]()

1. I think that playing the scales and arpeggios/chords WITH THE METRONOME has been huge. I never used the metronome before and have developed a whole new appreciation for time. I think my playing of actual songs has become more smooth and consequently more enjoyable. I now practice all my tunes with the metronome and definetly recommend it.
2. I have a better feel for the keyboard and where the notes are. One excercise that Jerry recommended was to take my hand off and return it to a given inversion. This combined with the repeated 2 octave scales has definetly strengthened my holistic relationship to the keyboard, which makes hand position changes and chord harmonies more smooth.
3. Playing the scales and chords repeatedly makes fills and improvisations easier and more natural. Since it's possible to use them for many fills, these scale / arpeggio fragments become very natural "under the hand." This is also true for chord based harmonies.
4. Being "forced" to play and improve something every day for an hour teaches you a new way to approach learning a new phrase, or even a new song. Things like "only work on what you don't know" and "slow it down until you can do it."
5. Playing scales in the left hand repeatedly makes bass runs occur naturally, which is kind of cool.
6. Ok, what should maybe have been first, more dexterity and speed in both hands. Of course this is true, but is not the goal (which is musicality).
Basically, this all has been a huge boost to my playing, and I can only imagine how years of this practice could (will) be great. And I really appreciate Jerry teaching me this stuff. He's the man!!!!
So, now that it's summer, I'm so busy outside (plus Jerry could use a well deserved break
