Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
If you haven't done so already, please add a location to your profile. This helps when people are trying to assist you, suggest resources, etc.
Thanks
We're having a little contest, running until 15th May. Please feel free to enter - see the thread in the "I Did That" section of the forum. Don't be shy, have a go!
I'm wondering if there are any accordina players who also play classical guitar. Do you use 1 2 3 4 5 for accordina fingering or P 1 2 3 4 (or something else)? Thanks.
Thanks, Paul. The reason I was looking for feedback from someone who plays classical guitar as well as accordina is because classical guitarists (like myself) use the left hand numbering 1 (index) 2 (middle) 3 (Ring) 4 (little finger). Right hand is P (thumb) I (index) M (middle) little finger in not typically used or notated.
I am curious if anyone plays both accordina and classical guitar and if they notate their fingering in a way as to avoid the confusion of 1, 2, 3, 4, 5 meaning different fingers on each instrument.
Since I learned classical guitar first, I have a 50 year habit of thinking 1 means index finger (etc.), and P means thumb.
I play CBA and in the past have played classical guitar.
Like Paul says, for accordion or accordina we always use 1 2 3 4 5 fingering numbers.
1 for the thumb , up to 5 for the pinky.
As for classical guitar, I have never used the p 1 2 3 4 for the right hand.
Why would you use the pinky (4) for classical guitar playing?
We only used four fingers, but not the pinky of the right hand.
In school we used the PIMA terminology for guitar playing:
quote: P = pulgar (thumb) I = indice (index finger) M = medio (middle finger) A = anular (ring finger)
I know, I have both CBAs and a Borel c-system accordina.
The accordina was developed for CBA accordionists who wanted to practice while traveling or on airplanes.
As Paul, I can reassure you, you can use the same fingering for CBA for the accordina.
The accordina is more related to the CBA accordion than to a classical six string guitar.
If you want to play rasgueado and flamenco guitar techniques on the accordina, you are free to use "pima" techniques.
Personally, I don't very often perform flamenco guitar music on my accordina.
I pick up my 6 string guitar
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.