This is by Jean-Baptiste Lully, a French Baroque composer:
This wont be to manys taste, but an interesting thing here is the accordionist plays a somewhat rare Cavagnolo Lora, which is a converter instrument.
I can find very little about it online, except for a thread over at a German music forum:
https://translate.google.com/transl.../tonumfang-cavagnolo-lora.300557/&prev=search[/url]
Heres a direct quote from Google translate:
The owner of the instrument in that forum mentions it weighs 15.4kg.
This wont be to manys taste, but an interesting thing here is the accordionist plays a somewhat rare Cavagnolo Lora, which is a converter instrument.
I can find very little about it online, except for a thread over at a German music forum:
https://translate.google.com/transl.../tonumfang-cavagnolo-lora.300557/&prev=search[/url]
Heres a direct quote from Google translate:
A rarity among the concert accordions and one of the last of its kind. A concert bayan in the shape of a CAVAGNOLO, with the typical round corners and extravagant top made of stainless steel. Year of construction 1990.
Right side B-handle (C in 3rd row) 106 buttons staggered, 62 of them sounding, g-gis (in 8-foot) range, 7 chin-stops and 15 stops behind the treble keyboard, 4-chords of it 8 and 16 in Cassotto, a = 443 Hz unison (no tremolo) Left side standard bass and melodic bass C-handle (C in 1st row) - CONVERTERBASS, 120 buttons staggered, 58 of them sounding in MIII range E, -cis (in 8-foot), 3 + 1 converter register + octave register, MII = 6/3-choir, MIII = 3-choir (8 + 8 and 8 + 8 + 4 switchable)
The owner of the instrument in that forum mentions it weighs 15.4kg.