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37 keys on LMMH or 41+keys on LMM

So many great minds have made many of their achievements despite their education.
That is why I am against the people that come online, with little to no skill/ability, little to no teaching experience/ability and want to teach before they have "paid their dues". That's just feeding in to their pocket and ego and has NOTHING to do with feeding the mind of their student. :)
 
So much depends on the innate talents and predelictions of the student - together with the capability of the instructor to recognise them.

So much talent has been destroyed by formulaic approaches to teaching; ones which abide by strict linear learning and traditional, archaic psychology.

Many students learn more rapidly by playing around than by playing to unbending method and discipline.

Likewise, all human minds are different and develop, not by measurable, age based stages, but in bursts of activity unevenly and spasmodically occurring at often unexpected times in their lives.
So many great minds have made many of their achievements despite their education.
Have you been reading Victor Wooten?
 
There is a third option. You see in Europe and Asia, there are students that are beginner accordionists that start with Free Bass accordions early, way before even intermediate levels. This is why there are smaller accordions with Free Bass. The existence of beginner level Free Bass books from many publications also support the fact that there is/was a need.

Ellegard, Hohner, Giuliette, Zero Sette, Pigini and others all made "less than top of the line professional level" accordions with Free Bass capabilities in all sizes... maybe this teacher sees something in Iris that Iris doesn't see yet?

Yeah, I am reaching, but it is possible. :)
It may seem like too much to lay on some kids -- at least to those adult players who learned Strdella and used it for years before attempting free bass. I think that if free bass is presented to a kid as if that's the natural (maybe only?) way to play accordion, the kid will accept it more easily than if that kid is allowed to discover that Stradedlla also exists, (Of course, the kid will then be confronted by parents who will tell the kid that they had to master Stradella before being allowed to learn free bass:))

But, there's also something to the idea that as time goes on we are finding that many kids can learn more complicated things at a younger age than we thought possible only a few years ago. And that's a good thing because the world is demanding more from each generation of adults than the past generation was required to learn..
 
It may seem like too much to lay on some kids -- at least to those adult players who learned Strdella and used it for years before attempting free bass. I think that if free bass is presented to a kid as if that's the natural (maybe only?) way to play accordion, the kid will accept it more easily than if that kid is allowed to discover that Stradedlla also exists, (Of course, the kid will then be confronted by parents who will tell the kid that they had to master Stradella before being allowed to learn free bass:))

But, there's also something to the idea that as time goes on we are finding that many kids can learn more complicated things at a younger age than we thought possible only a few years ago. And that's a good thing because the world is demanding more from each generation of adults than the past generation was required to learn..

"...as time goes on we are finding that many kids can learn more complicated things at a younger age than we thought possible only a few years ago."

My usual question in response: "Who, exactly, is "we" ?"

Scandinavian schools have been teaching to this idea for decades as have many other European countries.

I have serious ideological problems with the USAmerican concept that they are at the apex of civilisation and all things cultural.

Regarding the 'free bass' concept, the small student accordion on my shelf has only free base - it is Russian and designed for the tiny hands of primary school children.
 
Regarding the 'free bass' concept, the small student accordion on my shelf has only free base - it is Russian and designed for the tiny hands of primary school children.
This is a beginner student accordion that is sitting on my shelf... C-system MIII free bass only on the left hand. I enjoy it time to time, but its biggest challenge is lack of notes on the right hand and lighter than I am used to. Cute as heck, but its like wearing a necklace more than an accordion... lol

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"...as time goes on we are finding that many kids can learn more complicated things at a younger age than we thought possible only a few years ago."

My usual question in response: "Who, exactly, is "we" ?"

Scandinavian schools have been teaching to this idea for decades as have many other European countries.

I have serious ideological problems with the USAmerican concept that they are at the apex of civilisation and all things cultural.

Regarding the 'free bass' concept, the small student accordion on my shelf has only free base - it is Russian and designed for the tiny hands of

I wonder who ‘we’ is myself at times. I’m a product of the forties in a large, urban, American school district. The system, at least in the school I attended had a philosophy, supposedly based on research, that at such and such a grade, kids should be able to learn blah, blah, blah. So, kindergarten had almost no academics apart from learning the alphabet and counting to twenty. But at the end of the kindergarten years, all of the kids had to take what was a group IQ test. Based on that, a bunch of us, myself included, were placed in classes for the next year that combined first and second grade curriculum. The teachers were, by and large, unprepared for that task, faced mandatory retirement at seventy, and many of them were close to that.

Jumping ahead to the sixties, when I began to take education classes in college and graduate school, the system hadn’t changed much despite the addition of large numbers of kids with socioeconomic, cultural, and language differences. The research was reaching conclusions that had the capabilities of kids, at least intellectually, higher at the various grade levels, but the teachers were not finding that, probably due to those differences I listed above. Also, because the system was huge with a bureaucracy to match, it’s still playing catch-up fifty years later.

My granddaughter, now 22 and a recent college graduate, attended a small suburban school district. She was learning in kindergarten what I learned in second grade, and the comparison held true for all of her school years.

That’s quite a long explanation of ‘we.’ I must also add that at the time I was in elementary school, kids learned to play musical instruments only because their parents bought them the instruments and paid for private lessons. Today, American schools, even in large urban districts, include teaching instrumental music. As far as I know, however, there’s only one elementary school in the large urban district I attended that teaches accordion to some of its kids, and that school is close to the border with a suburb. They teach Stradella bass.
 
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