M
maugein96
Guest
Stephen,
The only time I stand up while holding an accordion is when I'm carrying it in its case. If I could work out a way to play it lying down I would. At my age standing up and looking the part no longer has any real meaning, and I always adopt the most comfortable sitting position. If I could get somebody else to work the bellows for me I would do that as well.
What I was meaning Terry was those bass side "fancy" chords you can get using combinations of minor/major and single bass notes. I read about them once, after I accidentally "invented" a couple that I liked the sound of. I became so engrossed that I gave up trying to remember what they were called. Brazilian players regularly hit all sorts of weird sounding chords with their left hands, but I haven't any real idea what they are doing. I know what you mean with those big right handers. I have seen fingering charts for 6 note monsters where you cover two buttons on the outside row of a C system CBA with your thumb, but I have enough trouble playing 4 note chords as it is.
Talking of horses for courses we had a couple of horses at one time. One of them was a thoroughbred hurdler and the other one was an American standardbred harness racer, but I couldn't teach either of them to play the accordion. They were both prone to run before they could walk, consistent with them being racehorses. I think I had the same trouble. I just couldn't be bothered learning all the theory!
The only time I stand up while holding an accordion is when I'm carrying it in its case. If I could work out a way to play it lying down I would. At my age standing up and looking the part no longer has any real meaning, and I always adopt the most comfortable sitting position. If I could get somebody else to work the bellows for me I would do that as well.
What I was meaning Terry was those bass side "fancy" chords you can get using combinations of minor/major and single bass notes. I read about them once, after I accidentally "invented" a couple that I liked the sound of. I became so engrossed that I gave up trying to remember what they were called. Brazilian players regularly hit all sorts of weird sounding chords with their left hands, but I haven't any real idea what they are doing. I know what you mean with those big right handers. I have seen fingering charts for 6 note monsters where you cover two buttons on the outside row of a C system CBA with your thumb, but I have enough trouble playing 4 note chords as it is.
Talking of horses for courses we had a couple of horses at one time. One of them was a thoroughbred hurdler and the other one was an American standardbred harness racer, but I couldn't teach either of them to play the accordion. They were both prone to run before they could walk, consistent with them being racehorses. I think I had the same trouble. I just couldn't be bothered learning all the theory!