AimlessWanderer pid=68961 dateline=1577996173 said:
I dont expect to get my hands on the accordion Im buying, for another two weeks or so (waiting for the cheque to clear etc), but Im trying to use the time to get prepared for its arrival. Ive found layouts as to what the 96 bass bottons are likely to be, but havent found much for the right hand.
There seem to be lots of info for 5 row button accordions, but mine only has three, which means Ill have more patterns to learn. Does anyone know of any online resources which show the modified chord shapes for the 3 row instruments? The added complication, is that all the buttons are the same colour, so Im not even sure its C system (but its a Crucianelli, and I think they do tend to be, from what Ive read so far)
Hi,
B system boxes are very rare in the UK, so you can reasonably expect your accordion to be C system. Your 3 row accordion will give you the chance to build up a solid technique without cheating on the 4th and 5th rows, and the three rows will make it easier for you to sight read, i.e. youll only have one choice of button for each note.
As for all the buttons being the same colour, most CBA players who become familiar with their instrument will eventually get the starting note by ear and your fingers will eventually respond according to which row you start on. It is pretty difficult to keep looking down at your buttons whilst playing, and in time it shouldnt matter which colour the buttons are. Your fingers will remember where the notes are in relation to each other. There is possibly a case for bi-coloured buttons in a formal setting where the player cannot afford to get the first note wrong, but for most of us if we start with a bum note we just grin and begin again.
Not sure what you mean by modified chord shapes. Is it the case that you already have chord charts for 4 or 5 row instruments? If you have, all you need to do is create a paper template of the relevant rows of your three row accordion, and work out where your fingers need to go when the chords are shown as having fingers on the 4th and/or 5th rows. The actual fingers you use will depend to a great degree on what you find most comfortable, rather than slavishly follow any rigid system. The main reason that CBAs have 4 or 5 rows is to avoid forked fingers, where you end up with say your 2rd finger on row 1 (outside row), with your index and third finger on rows 2/3. Remember, a PA player has no scope to use additional repeat keys, and neither will you have on a three row. If they can cope with that then so can you, even if you find it awkward at first. Your advantage is there are no big stretches, and no keys higher off the keyboard than others, like there are on a piano keyboard.
Most French CBAs only have 4 rows, and the pupils are generally taught to use the outer three rows only until they have built up a decent technique on those rows. In time they are allowed to use the 4th row when the teacher (if they have one) deems they are ready.
Youll probably want to change to a 4 or 5 row eventually, depending on what styles of music you want to play.
The main uncertainty with CBA is which fingering to use. You have taken some of the difficulties out of that argument by having a 3 row, but the actual fingering you use will usually be dictated by whichever method book you opt for, if you intend to do it that way. If you decide to teach yourself without a method book be careful not to over use the thumb, as it will make your little finger lazy, and could actually make playing a 3 row a bit awkward. Try and keep your thumb off the third row, and you want your fingers to be as near 90 degrees to the edge of the treble keyboard as possible.
Im not a teacher or a pro player, but have dabbled with CBA for a very long time. I had to teach myself, and committed every sin known to man when learning. I found that out many years later when I decided to go for lessons.
[font=Tahoma,Verdana,Arial,Sans-Serif]Above all, have fun learning your new instrument.
Edit:- The charts Stephen is referring to in the post below illustrate the difference between having to stay on the outer three rows vs having a 4th row. The green run wont be possible for you, but is a trick used by C system players if they want to play scales faster. In that position your hand is basically in the same position as a B system players would be, but that neednt concern you at this stage.
In Europe there are two different types of C system, and three of B system. Youll occasionally see reference to them on here, but best to concentrate on what you have bought, as C system with C in the first row is by far the most common in western Europe.
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