TimeSwan
Member
Just finished repadding a double tone chambered Noble. Putting new pads on a non tone chambered box is finicky enough, but trying to get two pads to seat perfectly at the same time is a nightmare.
Every tone chambered instrument I've ever repadded has fought me to the verge of tears and this one was no exception.
I use a light from the inside of the treble side to see where the leaks shine through and then tweak the pads until they all seat correctly. It's a lot of back and forth and swearing under my breath.
Does anyone have the secret sauce that makes this process any easier? Any insider information on how they do it at the factory?
Every tone chambered instrument I've ever repadded has fought me to the verge of tears and this one was no exception.
I use a light from the inside of the treble side to see where the leaks shine through and then tweak the pads until they all seat correctly. It's a lot of back and forth and swearing under my breath.
Does anyone have the secret sauce that makes this process any easier? Any insider information on how they do it at the factory?