G
GregShelton
Guest
Hi,
I am trying to get my fingers around the bass part of a tune called "Back To Bach" in the Mel Bay French Tunes For Accordion book. It's a simple 'java' tune in 3/4 based around arpeggios with a relative easy bass, except for one quick switch in the bass. There is a 4 bar section I am struggling to play the bass for properly, it goes: bar 1: A Major/A, bar 2: A Major/E, bar 3: Bb Major/Bb, bar 4: A major/A.
My problem is that, as the switch from A to the Bb is so far, evening when trying to use muscle memory, practicing with the bass-side only, slowing down and repeating this jump over and over, I can never quite guarantee I will hit the right notes. I just don't see how it's possible and what's worse, the wrong notes sound very wrong and I find it hard to get back onto the right progression whilst keeping the beat.
Also, I find the as I am forming a triangle to play the alternating bass of the first 2 bars, I have to switch finger shapes to play the single bar of B flat and I then have just one bar of A left so I tend to use 2 fingers instead of a triangle. The shape changing is also hard to achieve.
Is there a practice regime I can adopt so I can say for sure that I will hit that B flat and not the F or Eb?!
Thank you,
Greg.
I am trying to get my fingers around the bass part of a tune called "Back To Bach" in the Mel Bay French Tunes For Accordion book. It's a simple 'java' tune in 3/4 based around arpeggios with a relative easy bass, except for one quick switch in the bass. There is a 4 bar section I am struggling to play the bass for properly, it goes: bar 1: A Major/A, bar 2: A Major/E, bar 3: Bb Major/Bb, bar 4: A major/A.
My problem is that, as the switch from A to the Bb is so far, evening when trying to use muscle memory, practicing with the bass-side only, slowing down and repeating this jump over and over, I can never quite guarantee I will hit the right notes. I just don't see how it's possible and what's worse, the wrong notes sound very wrong and I find it hard to get back onto the right progression whilst keeping the beat.
Also, I find the as I am forming a triangle to play the alternating bass of the first 2 bars, I have to switch finger shapes to play the single bar of B flat and I then have just one bar of A left so I tend to use 2 fingers instead of a triangle. The shape changing is also hard to achieve.
Is there a practice regime I can adopt so I can say for sure that I will hit that B flat and not the F or Eb?!
Thank you,
Greg.